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Born in Fullerton, CA
Lives and works in New York, NY |
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| EDUCATION |
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| 1999 | MA, New York University, New York ,NY
Graduate Advisor: Timothy Druckrey |
| 1996 | BA, California State University, Fullerton, CA |
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| SOLO EXHIBITIONS |
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| 2010 | Twenty Paces, Priska C. Juschka Fine Art, New York, NY |
| 2006 | Monsters and Maidens, Priska C. Juschka Fine Art, New York, NY |
| 2003 | STREAMLINE, Project Room, Priska C. Juschka Fine Art, Brooklyn, NY |
| 2001 | A.I.R. Gallery, New York, NY |
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| SELECTED GROUP EXHIBITIONS |
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| 2009 | Summer Sexy, virtual exhibition, selections by Elizabeth Grady, produced by Winkleman Gallery
and Schroeder Romero
Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York, NY |
| 2008 | A.I.R. Gallery: The History Show, curated by Carey Lovelace and Kat Griefen, A.I.R Gallery, New York, NY
Warm, Red, Salt And Wet, 31 Grand, New York, NY |
| 2007 | Femme Fantastique, Volitant Gallery, Austin, TX
Loves Secret Domain: Contemporary Psychedelic Art, 3rd Ward, Brooklyn, NY |
| 2006 | Queens International 2006: Everything All at Once, Queens Museum of Art, Queens, NY
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| 2005 | New Art, New Work: Reflections on the Human Condition, Trierenberg Holding AG, Traun, Austria
Kiss Me Long and Hard, Priska C. Juschka Fine Art, Brooklyn, NY
The Center for Emerging Visual Artists, Philadelphia, PA |
| 2004 | Is One Thing Better than Another?, Galerie Aurel Scheibler, Cologne, Germany
On Site, Priska C. Juschka Fine Art, Brooklyn, NY
Pickup Lines, Geoffrey Young Gallery, Great Barrington, MA
Full Disclosure, Geoffrey Young Gallery, Great Barrington, MA |
| 2003 | Harlem Art Project, Saatchi & Saatchi, New York, NY
Breaking Ground, White Columns, New York, NY
Project Room, Priska C. Juschka Fine Art, Brooklyn, NY
5th Biennial, A.I.R. Gallery, New York, NY
Fellowship Exhibition, A.I.R. Gallery, New York, NY |
| 2002 | Wish You Were Here, A.I.R. Gallery, New York, NY
Downloadable Media, www.postmedianetwork.com
Interactive I, Gallerythe.org, Brooklyn, NY, http://www.gallerythe.org, |
| 2001 | [re]Distributions, www.voyd.com
T*O*A*S*T, Open-I Media, New York, NY
Tributary, A.I.R. Gallery, New York, NY |
| 2000 | GenX, Maine Artists Space, Portland, MA
Generations II, A.I.R. Gallery, New York, NY |
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| BIBLIOGRAPHY |
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| 2009 | Compass in Hand: Selections from The Judith Rothschild Foundation. New York, Museum of Modern Art, 2009.
New American Paintings, Northeast Edition, no. 80, 2009. |
| 2007 | Luxe, Chiara. "Loves Secret Domain: A Mind-Expanding Art Exhibition." High Times, November 2007.
Castillo, Salvador. "Femme Fantastique." The Austin Chronicle, October 12, 2007.
Hana, Chad. "Femme Fantastique." That Other Paper, October 4, 2007.
"Fall Preview 2007: Femme Fantastique." Glasstire, September 2007.
Brownlee, John. "Deviant Artist of the Day: Debra Hampton." Wired Blog Network, June 28, 2007.
"Love's Secret Domain." AM New York, June 8-10, 2007.
"Loves Secret Domain: Contemporary Psychedelic Art & Music." Flavorpill, New York City, no. 365, June 5, 2007.
"Future-Minded: On the Resiliency of Feminism in Art." ARTLINES (Women's Caucus for Art), Spring 2007.
Lowenstein, Kate. “Queens International: Everything All at Once.” Time Out New York, January 11-17, 2007, 69.
Etapes (France), January 2007, 6-7. |
| 2006 | Manley, Jennifer. “qboro—Day Tripping at ‘Queens International.'” Queens Chronicle, October 29, 2006.
Abichandani, Jaishri. Queens International 2006: Everything All at Once. New York: Queens Museum, 2006.
Westcott, James. “Debra Hampton: Monsters and Maidens.” Art Review, July 2006, 134.
Simpson, Joel. "Debra Hampton: Priska C. Juschka Fine Art.", M Magazine, May 2006.
Mathews-Berenson, Margaret. New Art, New York: Reflections on the Human Condition. Trierenberg Holding AG. Traun, Austria: 2006. |
| 2005 | "Two Faced." Mastermind Magazine, 2005. |
| 2004 | "Pull the Trigger." Delve Magazine 08, no.2, 2004.
Cotter, Holland. “Sampling Brooklyn, Keeper of Eclectic Flames.” New York Times, January 23, 2004. |
| 2003 | "Pay attention to the spaces between, a pattern of accidents — this is a statement about the nature of wo/man." Fashionoffice.org (Austria), 2003.
Parent, Sylvie. “Télécommunication sans fil et création artistique.” Archee Cybermenuel, 2003.
Harris, Jane. "Breaking Ground." Time Out New York, October 16, 2003.
"A.I.R. Biennial in Chelsea." Artnet News, March 19, 2003. |
| 2002 | Delve Magazine, 2002. |
| 2001 | Cotter, Holland. "Emergence: Technically Engaged." The New York Times, Critic's Picks, January 26, 2001.
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| 2000 | Ippolito, Jon. "Gender Changer." Interview with Tanya Bezreh, Laetitia Cornwall, Jennifer Crowe
and Debra L. Hampton, ArtByte 3, no. 2, July/August 2000, 36-29.
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| AWARDS & FELLOWSHIPS |
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| 2005 | Chashama AREA Studio Program, New York, NY |
| 1999-2001 | Fellowship Artist, A.I.R. Gallery, New York, NY |
| 2000 | Presentation Funds for E.mergence from Experimental Television Center
Exhibition Grant for E.mergence from Louise McCagg & Jessie Nebraska Gifford |
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| COLLECTIONS |
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| Museum of Modern Art, Permanent Drawing Collection, New York, NY
Frederick R. Weisman Art Foundation, Los Angeles, CA
Trierenberg Holding AG, Corporate Collection, Traun, Austria
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